{"id":160,"date":"2015-05-26T20:17:30","date_gmt":"2015-05-26T18:17:30","guid":{"rendered":"http:\/\/womenstales.com\/?page_id=160"},"modified":"2018-05-08T14:06:52","modified_gmt":"2018-05-08T12:06:52","slug":"160-2","status":"publish","type":"page","link":"https:\/\/womenstales.com\/?page_id=160","title":{"rendered":"Laura Lojo-Rodr\u00edguez"},"content":{"rendered":"<p>[et_pb_section bb_built=&#8221;1&#8243; background_image=&#8221;http:\/\/womenstales.com\/wp-content\/uploads\/2015\/05\/J029PP7U7I_peq1.jpg&#8221; transparent_background=&#8221;off&#8221; allow_player_pause=&#8221;off&#8221; inner_shadow=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; make_equal=&#8221;off&#8221; use_custom_gutter=&#8221;off&#8221; fullwidth=&#8221;off&#8221; specialty=&#8221;on&#8221; parallax_1=&#8221;off&#8221; parallax_2=&#8221;off&#8221; parallax_method_1=&#8221;off&#8221; parallax_method_2=&#8221;off&#8221; disabled=&#8221;off&#8221; custom_padding_tablet=&#8221;50px|0|50px|0&#8243; custom_padding_last_edited=&#8221;on|desktop&#8221; next_background_color=&#8221;#ffffff&#8221;][et_pb_column type=&#8221;1_4&#8243;][et_pb_image admin_label=&#8221;Foto Laura Lojo-Rodriguez&#8221; src=&#8221;http:\/\/womenstales.com\/wp-content\/uploads\/2015\/05\/Laura_Lojo.jpg&#8221; show_in_lightbox=&#8221;off&#8221; url_new_window=&#8221;off&#8221; use_overlay=&#8221;off&#8221; sticky=&#8221;off&#8221; align=&#8221;center&#8221; max_width=&#8221;250px&#8221; force_fullwidth=&#8221;off&#8221; always_center_on_mobile=&#8221;on&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ba75b0&#8243; border_width=&#8221;3px&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;off&#8221; animation_style=&#8221;slide&#8221; animation_duration=&#8221;500ms&#8221; animation_intensity_slide=&#8221;10%&#8221; animation_direction=&#8221;left&#8221; show_bottom_space=&#8221;on&#8221;]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; specialty_columns=&#8221;3&#8243;][et_pb_row_inner admin_label=&#8221;Row&#8221; padding_mobile=&#8221;off&#8221; use_custom_gutter=&#8221;off&#8221; make_equal=&#8221;off&#8221; column_padding_mobile=&#8221;off&#8221; parallax_1=&#8221;off&#8221; parallax_method_1=&#8221;on&#8221; parallax_2=&#8221;off&#8221; parallax_method_2=&#8221;on&#8221; parallax_3=&#8221;off&#8221; parallax_method_3=&#8221;on&#8221; disabled=&#8221;off&#8221;][et_pb_column_inner type=&#8221;4_4&#8243; saved_specialty_column_type=&#8221;3_4&#8243;][et_pb_text admin_label=&#8221;Dr. Carmen Lara-Rallo&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;left&#8221; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;off&#8221;]<\/p>\n<h1>Dr. Laura Lojo-Rodriguez<\/h1>\n<p>[\/et_pb_text][et_pb_text background_layout=&#8221;light&#8221; text_orientation=&#8221;justified&#8221; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;off&#8221;]<\/p>\n<p><span style=\"color: #808080;\">is currently the <span style=\"color: #ba75b0;\">supervisor<\/span> of the <span style=\"color: #ba75b0;\">research group \u201cDiscourse and Identity,\u201d<\/span> funded by the Galician Regional Government for the period 2014\u20132018.<\/span><\/p>\n<p><span style=\"color: #808080;\">Lojo-Rodr\u00edguez is <span style=\"color: #ba75b0;\">Senior Lecturer<\/span> in English Literature at the Department of English Studies of <span style=\"color: #ba75b0;\">University of Santiago de Compostela<\/span>, Spain, where she teaches Literature(s) in English, Literary Theory, and Gender Studies. She is also <span style=\"color: #ba75b0;\">convenor<\/span> of the <span style=\"color: #ba75b0;\">Short Story Panel<\/span> of the Spanish Association of English and American Studies (AEDEAN).<\/span><\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Research interests&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;left&#8221; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;off&#8221;]<\/p>\n<p><span style=\"color: #808080;\"><span style=\"color: #ba75b0;\">Research interests<\/span>: Contemporary British fiction; short story; critical theory; comparative literature.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section bb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; transparent_background=&#8221;off&#8221; allow_player_pause=&#8221;off&#8221; inner_shadow=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;off&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; make_equal=&#8221;off&#8221; use_custom_gutter=&#8221;off&#8221; fullwidth=&#8221;off&#8221; specialty=&#8221;off&#8221; disabled=&#8221;off&#8221; custom_padding_tablet=&#8221;50px|0|50px|0&#8243; custom_padding_last_edited=&#8221;on|desktop&#8221; prev_background_color=&#8221;#ffffff&#8221; next_background_color=&#8221;#000000&#8243;][et_pb_row admin_label=&#8221;row&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;off&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; use_custom_gutter=&#8221;off&#8221; gutter_width=&#8221;3&#8243; padding_mobile=&#8221;off&#8221; allow_player_pause=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221; make_equal=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; parallax_1=&#8221;off&#8221; parallax_method_1=&#8221;on&#8221; parallax_2=&#8221;off&#8221; parallax_method_2=&#8221;on&#8221; parallax_3=&#8221;off&#8221; parallax_method_3=&#8221;on&#8221; parallax_4=&#8221;off&#8221; parallax_method_4=&#8221;on&#8221; disabled=&#8221;off&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; background_size=&#8221;initial&#8221;][et_pb_column type=&#8221;4_4&#8243;][et_pb_text admin_label=&#8221;Publications&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;left&#8221; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;off&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; background_size=&#8221;initial&#8221; _builder_version=&#8221;3.2&#8243;]<\/p>\n<h1 class=\"western\" lang=\"en-GB\" style=\"text-align: center;\"><span style=\"color: #ba75b0;\">Publications<\/span><\/h1>\n<p>[\/et_pb_text][et_pb_text text_orientation=&#8221;justified&#8221; text_text_color=&#8221;#000000&#8243; use_border_color=&#8221;off&#8221; disabled=&#8221;off&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; background_size=&#8221;initial&#8221; _builder_version=&#8221;3.2&#8243;]<\/p>\n<p><span style=\"color: #808080;\">2018. &#8220;Magic Realism and Experimental Fiction: From Virginia Woolf to Jeanette Winterson&#8221;, in Anne Fernald, ed. <em>The Oxford Handbook of Virginia Woolf<\/em>. Oxford: Oxford University Press. Forthcoming. <\/span><\/p>\n<p><span style=\"color: #808080;\">2018<strong>. &#8216;&#8221;<\/strong>Thought in American and for the Americans&#8221;: Victoria Ocampo,\u00a0<em>Sur<\/em> and European Modernism&#8217;, in\u00a0<\/span>Falcato A., Cardiello A. eds. <em>The Condition of Modernism. <\/em>Cham: Palgrave Macmillan, 2018, 167-190<span style=\"color: #808080;\">. <\/span><\/p>\n<p><span style=\"color: #808080;\">2017. <\/span><span style=\"background-color: #ffffff; color: #808080; font-size: 14px;\">\u201cTourism and Identitary Conflicts in Monica Ali&#8217;s\u00a0<em>Alentejo Blue<\/em><\/span><span style=\"background-color: #ffffff; color: #808080; font-size: 14px;\">\u201d.\u00a0<em>Miscel\u00e1nea: A Journal of English and American Studies.\u00a0<\/em>vol. <\/span>56(2017): 73-90 201<span style=\"background-color: #ffffff; color: #808080; font-size: 14px;\">.\u00a0<\/span><\/p>\n<p><span style=\"color: #808080; font-size: 14px; background-color: #ffffff;\">2017. \u201c<\/span><span style=\"color: #808080;\">Writing to Historicize and Contextualize: The Example of Virginia Woolf<\/span><span style=\"color: #808080; font-size: 14px; background-color: #ffffff;\">\u201d<\/span><span style=\"color: #808080;\">.\u00a0<em>The Discipline, Ethics, and Art of Writing about Literature.\u00a0<\/em>Ed. Kirilka Stavreva. Gale-Cengage, Gale Researcher British Literature. 2017. Online.\u00a0<\/span><\/p>\n<p><span style=\"color: #808080;\">2016.\u00a0<\/span><span style=\"background-color: #ffffff; color: #808080; font-size: 14px;\"><span style=\"font-size: 14px; background-color: #ffffff;\">\u201c<\/span>Virginia Woolf in Spanish-Speaking Countries<\/span><span style=\"background-color: #ffffff; color: #808080; font-size: 14px;\">\u201d.\u00a0<em>The Blackwell Companion to Virginia Woolf<\/em>. Ed. Jessica Berman. Oxford: Wiley-Blackwell, 2016. 46-480.\u00a0<\/span><\/p>\n<p><span style=\"color: #808080;\">2015. \u201cLa po\u00e9tica del cuento en la primera mitad del siglo XX en Reino Unido: Virgina Woolf y Elizabeth Bowen\u201d. <em>Fragmentos de realidad: Los autores y las po\u00e9ticas del cuento en lengua inglesa<\/em>. Ed. Santiago Rodr\u00edguez Guerrero-Strachan. Valladolid: Servicio de publicaciones de la Universidad de Valladolid, pp. 111-125. <\/span><\/p>\n<p><span style=\"color: #808080;\">2014. \u201cUnveiling the Past: \u00c9il\u00eds N\u00ed Dhuibhne\u2019s \u2018Sex in the Context of Ireland\u2019\u201d.<em> Nordic Irish Studies<\/em> 13.2 (2014): 19\u201330.<\/span><\/p>\n<p><span style=\"color: #808080;\">2014. \u201c\u2018The Saving Power of Hallucination\u2019: Elizabeth Bowen\u2019s \u201cMysterious K\u00f4r\u201d and Female Romance\u201d. <em>Zeitschrift f\u00fcr Anglistik und Amerikanistik<\/em> 62.4 (2014): 273\u2013289.<\/span><\/p>\n<p><span style=\"color: #808080;\">2013. \u201cExilio, historia, e a visi\u00f3n feminina: \u00c9il\u00eds N\u00ed Dhuibhne\u201d in Felipe Andr\u00e9s Aliaga S\u00e1ez, ed., <em>Cultura y migraciones: Enfoques multidisciplinarios<\/em>. Santiago de Compostela: Servicio de publicaciones de la Universidad, 2013, 178\u2013183.<\/span><\/p>\n<p><span style=\"color: #808080;\">2012. (ed.). <em>Moving across a Century: Women\u2019s Short Fiction from Virginia Woolf to Ali Smith<\/em>. Bern: Peter Lang, 2012.<\/span><\/p>\n<p><span style=\"color: #808080;\">2012. \u201cRecovering the Maternal Body as Paradise: Mich\u00e8le Roberts\u2019s \u2018Charity\u2019\u201d. <em>Atlantis: A Journal of the Spanish Association of Anglo-American Studies<\/em> 34.2 (Dec 2012): 33\u201347.<\/span><\/p>\n<p><span style=\"color: #808080;\">2011. (with Jorge Sacido-Romero) \u201cThrough the Eye of a Postmodernist Child: Ian McEwan\u2019s \u2018Homemade\u2019\u201d. <em>Miscel\u00e1nea: A Journal of English and American Studies<\/em> 44 (2011): 107\u2013120.<\/span><\/p>\n<p><span style=\"color: #808080;\">2011. \u201cVoices from the Margins: \u00c9il\u00eds N\u00ed Dhuibhne\u2019s Female Perspective in The Pale Gold of Alaska and Other Stories\u201d. <em>Nordic Irish Studies<\/em> 10 (2011): 35\u201340.<\/span><\/p>\n<p><span style=\"color: #808080;\">2011-2012. \u201cJoyce\u2019s Long Shadow: \u00c9il\u00eds N\u00ed Dhuibhne\u2019s Short Fiction\u201d. <em>Papers on Joyce<\/em> 17.18 (2011-2012): 159\u2013178.<\/span><\/p>\n<p><span style=\"color: #808080;\">2010. (with Manuela Palacios and M\u00aa Xes\u00fas Nogueira). <em>Creation, Publishing, and Criticism: The Advance of Women\u2019s Writing<\/em>. Bern: Peter Lang, 2010.<\/span><\/p>\n<p><span style=\"color: #808080;\">2009. \u201cThe Poetics of Motherhood in Contemporary Irish Women\u2019s Verse\u201d in Manuela Palacios and Laura Lojo-Rodr\u00edguez, eds., <em>Writing Bonds: Irish and Galician Women Poets<\/em>. Bern: Peter Lang, 2009, 123-142.<\/span><\/p>\n<p><span style=\"color: #808080;\">2009. \u201cMaking Sense of Wilderness: An Interview with Anne Le Marquand Hartigan\u201d in Manuela Palacios and Laura Lojo-Rodr\u00edguez, eds., <em>Writing Bonds: Irish and Galician Women Poets<\/em>. Bern: Peter Lang, 2009, 195\u2013204.<\/span><\/p>\n<p><span style=\"color: #808080;\">2008. \u201cVirginia Woolf\u2019s Female History in \u2018The Journal of Mistress Joan Martyn\u2019\u201d. <em>Short Story<\/em> 16.1 (2008): 73\u201386.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dr. Laura Lojo-Rodriguez is currently the supervisor of the research group \u201cDiscourse and Identity,\u201d funded by the Galician Regional Government for the period 2014\u20132018. Lojo-Rodr\u00edguez is Senior Lecturer in English Literature at the Department of English Studies of University of Santiago de Compostela, Spain, where she teaches Literature(s) in English, Literary Theory, and Gender Studies. 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