{"id":279,"date":"2015-05-26T22:12:48","date_gmt":"2015-05-26T20:12:48","guid":{"rendered":"http:\/\/womenstales.com\/?page_id=279"},"modified":"2017-11-02T11:57:31","modified_gmt":"2017-11-02T10:57:31","slug":"paul-march-russell","status":"publish","type":"page","link":"https:\/\/womenstales.com\/?page_id=279","title":{"rendered":"Paul March-Russell"},"content":{"rendered":"<p>[et_pb_section admin_label=&#8221;Section&#8221; fullwidth=&#8221;off&#8221; specialty=&#8221;on&#8221; background_image=&#8221;http:\/\/womenstales.com\/wp-content\/uploads\/2015\/05\/J029PP7U7I_peq1.jpg&#8221; transparent_background=&#8221;off&#8221; allow_player_pause=&#8221;off&#8221; inner_shadow=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; make_equal=&#8221;off&#8221; use_custom_gutter=&#8221;off&#8221; parallax_1=&#8221;off&#8221; parallax_method_1=&#8221;off&#8221; parallax_2=&#8221;off&#8221; parallax_method_2=&#8221;off&#8221;][et_pb_column type=&#8221;1_4&#8243;][et_pb_image admin_label=&#8221;Foto Paul March-Russel&#8221; src=&#8221;http:\/\/womenstales.com\/wp-content\/uploads\/2015\/05\/Paul-March-Russel.jpg&#8221; show_in_lightbox=&#8221;off&#8221; url_new_window=&#8221;off&#8221; use_overlay=&#8221;off&#8221; animation=&#8221;left&#8221; sticky=&#8221;off&#8221; align=&#8221;center&#8221; max_width=&#8221;250px&#8221; force_fullwidth=&#8221;off&#8221; always_center_on_mobile=&#8221;on&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ba75b0&#8243; border_width=&#8221;3px&#8221; border_style=&#8221;solid&#8221;]<br \/>\n[\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; specialty_columns=&#8221;3&#8243;][et_pb_row_inner admin_label=&#8221;Row&#8221;][et_pb_column_inner type=&#8221;4_4&#8243; saved_specialty_column_type=&#8221;3_4&#8243;][et_pb_text admin_label=&#8221;Dr. Paul March-Russell&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;left&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221;]<\/p>\n<h1>Dr.\u00a0Paul March-Russell<\/h1>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Text&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;justified&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221;]<\/p>\n<p>is particularly interested in<span class=\"s1\">\u00a0questions of gender and genre in relation to civic and regional politics. \u00a0In Women&#8217;s Tales, he working on Nicola Barker, Emma Donoghue, Zoe Lambert and Lucy Wood.<\/span><\/p>\n<p><span style=\"color: #808080;\">March-Russell is <span style=\"color: #ba75b0;\">Lecturer<\/span> in <span style=\"color: #ba75b0;\">Liberal Arts and Comparative Literature<\/span> at the <span style=\"color: #ba75b0;\">School of European Culture and Languages of University of Kent<\/span>, United Kingdom. He is also the <span style=\"color: #ba75b0;\">editor<\/span>\u00a0of <span style=\"color: #ba75b0;\"><em>Foundation: The International Review of Science Fiction<\/em><\/span>, <span style=\"color: #ba75b0;\">series editor<\/span> of <span style=\"color: #ba75b0;\"><em>SF Storyworlds<\/em><\/span>, <span style=\"color: #ba75b0;\">editorial advisor<\/span>\u00a0to the\u00a0<span style=\"color: #ba75b0;\"><em>Journal of the Short Story in English <\/em><span style=\"color: #808080;\">and<\/span><em> Short Fiction in Theory and Practice<\/em><\/span>, and a\u00a0<span style=\"color: #ba75b0;\">founding member<\/span> of the <span style=\"color: #ba75b0;\"><em>European Research Network in Short Fiction<\/em><\/span> and the <span style=\"color: #ba75b0;\"><em>May Sinclair Society<\/em><\/span>.<\/span><\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Research interests&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;left&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221;]<\/p>\n<p><span style=\"color: #808080;\"><span style=\"color: #ba75b0;\">Research interests<\/span>: Contemporary British fiction; short story; critical theory; comparative literature.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section admin_label=&#8221;section&#8221; fullwidth=&#8221;off&#8221; specialty=&#8221;off&#8221;][et_pb_row admin_label=&#8221;row&#8221;][et_pb_column type=&#8221;4_4&#8243;][et_pb_text admin_label=&#8221;Publications&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;left&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221;]<\/p>\n<h1 class=\"western\" lang=\"en-GB\" style=\"text-align: center;\"><span style=\"color: #ba75b0;\">Recent Publications<\/span><\/h1>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Text&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;justified&#8221; text_text_color=&#8221;#000000&#8243; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221;]<\/p>\n<p><span style=\"color: #808080;\">2017. <span class=\"s1\">&#8220;The Abcanny Politics of Landscape in Lucy Wood&#8217;s <em>Diving Belles,<\/em>&#8221; <em>Short Fiction in Theory &amp; Practice<\/em>, 7(1): 53-65.\u00a0<\/span><\/span><\/p>\n<p><span style=\"color: #808080;\">2016. &#8220;<span class=\"s1\">Writing and Publishing the Short Story,&#8221; in Anne-Marie Einhaus, ed. <i>The Cambridge Companion to the English Short Story.<\/i>\u00a0Cambridge\u00a0UP, 2016.<\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\" style=\"color: #808080;\">2015. &#8220;Signatures of the Invisible: Reading between <i>The City &amp; the City<\/i> and Christopher Priest\u2019s <i>The<\/i> <i>Glamour,&#8221;<\/i>\u00a0in Caroline Edwards and Tony Venezia, eds. <i>China Mi\u00e9ville: Critical Essays.\u00a0<\/i>Gylphi, 2015.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\" style=\"color: #808080;\">2015. &#8220;Victorian Literature and Modernism,&#8221; in Dino Felluga et al, eds. <i>The Blackwell Encyclopedia of Victorian Literature.\u00a0<\/i>Wiley-Blackwell, 2015.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\" style=\"color: #808080;\">2015. &#8220;&#8216;Into the interstices of time&#8217;: Speed and Perception in the Scientific Romance,&#8221; in<i> <\/i>Adrienne E. Gavin and Andrew F. Humphries, eds. <i>Transport in British Fiction: 1840-1940.\u00a0<\/i>Palgrave, 2015.<\/span><\/p>\n<p><span style=\"color: #808080;\">2015. <em>Modernism and Science Fiction<\/em>. Palgrave Macmillan, 2015.<\/span><\/p>\n<p><span style=\"color: #808080;\">2015. \u201c\u2018I am not that\u2019: Liminality in the Short Fiction of Joanna Russ\u201d in Jochen Achilles and Ina Bergmann, eds., <em>Liminality and the Short Story: Boundary Crossings in British, American and Canadian Writing<\/em>. Routledge, 2015, 225\u2013237.<\/span><\/p>\n<p><span style=\"color: #808080;\">2013. \u201cThe Jilted Generation? The New Puritans a Decade On\u201d in Jos\u00e9 Francisco-Fern\u00e1ndez, ed., <em>The New Puritan Generation: Essays on British Fiction at the Turn of the 21st Century<\/em>. Gylphi, 2013.<\/span><\/p>\n<p><span style=\"color: #808080;\">2013. \u201c\u2018And did those feet?\u2019 Mapmaking London and the Postcolonial Limits of Psychogeography\u201d in Maggie Awadalla and Paul March-Russell, eds., <em>The Postcolonial Short Story: Contemporary Essays<\/em>. Palgrave Macmillan, 2013, 79\u201395.<\/span><\/p>\n<p><span style=\"color: #808080;\">2012. \u201cThe Writing Machine: J.G. Ballard in Modern and Postmodern Short Story Theory\u201d in Jorge Sacido, ed., <em>Modernism, Postmodernism and the Short Story in English<\/em>. Rodopi, 2012.<\/span><\/p>\n<p><span style=\"color: #808080;\">2012. \u201cThe Neo-Romantic Wyndham Lewis\u201d in Carmen Casaliggi and Paul March-Russell, eds., <em>Legacies of Romanticism: Literature, Aesthetics, Culture<\/em>. Routledge, 2012.<\/span><\/p>\n<p><span style=\"color: #808080;\">2012. \u201cBaby Tuckoo among the Grown-Ups: Modernism and Childhood in the Interwar Period\u201d in Adrienne Gavin, ed., <em>The Child in British Literature<\/em>. Palgrave Macmillan, 2012.<\/span><\/p>\n<p><span style=\"color: #808080;\">2009. <em>The Short Story: An Introduction<\/em>. Edinburgh University Press, 2009.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dr.\u00a0Paul March-Russell is particularly interested in\u00a0questions of gender and genre in relation to civic and regional politics. \u00a0In Women&#8217;s Tales, he working on Nicola Barker, Emma Donoghue, Zoe Lambert and Lucy Wood. March-Russell is Lecturer in Liberal Arts and Comparative Literature at the School of European Culture and Languages of University of Kent, United Kingdom. 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