{"id":358,"date":"2015-07-28T19:38:04","date_gmt":"2015-07-28T17:38:04","guid":{"rendered":"http:\/\/womenstales.com\/?page_id=358"},"modified":"2017-06-27T09:53:49","modified_gmt":"2017-06-27T07:53:49","slug":"isabel-ma-andres-cuevas","status":"publish","type":"page","link":"https:\/\/womenstales.com\/?page_id=358","title":{"rendered":"Isabel M\u00aa Andres-Cuevas"},"content":{"rendered":"<p>[et_pb_section background_image=&#8221;http:\/\/womenstales.com\/wp-content\/uploads\/2015\/05\/J029PP7U7I_peq1.jpg&#8221; transparent_background=&#8221;off&#8221; allow_player_pause=&#8221;off&#8221; inner_shadow=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; make_equal=&#8221;off&#8221; use_custom_gutter=&#8221;off&#8221; fullwidth=&#8221;off&#8221; specialty=&#8221;on&#8221; parallax_1=&#8221;off&#8221; parallax_2=&#8221;off&#8221; parallax_method_1=&#8221;off&#8221; parallax_method_2=&#8221;off&#8221; admin_label=&#8221;Section&#8221; disabled=&#8221;off&#8221;][et_pb_column type=&#8221;1_4&#8243; disabled=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221;][et_pb_image src=&#8221;http:\/\/womenstales.com\/wp-content\/uploads\/2015\/07\/IMG-20160627-WA0008.jpg&#8221; show_in_lightbox=&#8221;off&#8221; url_new_window=&#8221;off&#8221; use_overlay=&#8221;off&#8221; sticky=&#8221;on&#8221; align=&#8221;center&#8221; max_width=&#8221;250px&#8221; force_fullwidth=&#8221;on&#8221; always_center_on_mobile=&#8221;on&#8221; admin_label=&#8221;Foto Isabel Andres-Cuevas&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ba75b0&#8243; border_width=&#8221;3px&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;off&#8221;] [\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; specialty_columns=&#8221;3&#8243; disabled=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221;][et_pb_row_inner padding_mobile=&#8221;off&#8221; use_custom_gutter=&#8221;off&#8221; make_equal=&#8221;off&#8221; column_padding_mobile=&#8221;off&#8221; parallax_1=&#8221;off&#8221; parallax_method_1=&#8221;on&#8221; parallax_2=&#8221;off&#8221; parallax_method_2=&#8221;on&#8221; parallax_3=&#8221;off&#8221; parallax_method_3=&#8221;on&#8221; admin_label=&#8221;Row&#8221; disabled=&#8221;off&#8221;][et_pb_column_inner type=&#8221;4_4&#8243; saved_specialty_column_type=&#8221;3_4&#8243; disabled=&#8221;off&#8221; column_padding_mobile=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_text background_layout=&#8221;light&#8221; text_orientation=&#8221;left&#8221; admin_label=&#8221;Dr. Carmen Lara-Rallo&#8221; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;off&#8221;]<\/p>\n<h1>Dr.\u00a0Isabel Mar\u00eda Andr\u00e9s-Cuevas<\/h1>\n<p>[\/et_pb_text][et_pb_text background_layout=&#8221;light&#8221; text_orientation=&#8221;justified&#8221; admin_label=&#8221;Text&#8221; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;off&#8221;] <span style=\"color: #808080;\">has focused her research for the last few years on the <span style=\"color: #ba75b0;\">short story in English by women writers<\/span>. She is interested in <span style=\"color: #ba75b0;\">Modernist fiction<\/span> and, in particular, in the narrative of <span style=\"color: #ba75b0;\">Virginia Woolf<\/span>. She has co-authored a monograph on <span style=\"color: #ba75b0;\">gender and the grotesque in the short fiction<\/span> by <span style=\"color: #ba75b0;\">Katherine Mansfield<\/span> and the novels of Virginia Woolf. In Women\u2019s Tales, her major focus is the short stories by <span style=\"color: #ba75b0;\">Jeanette Winterson.<\/span><\/span> [\/et_pb_text][et_pb_text background_layout=&#8221;light&#8221; text_orientation=&#8221;left&#8221; admin_label=&#8221;Research interests&#8221; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;off&#8221;] <span style=\"color: #808080;\"><span style=\"color: #ba75b0;\">Research interests<\/span>:\u00a0the short story; gender studies; Modernism; women\u2019s fiction; carnival theory.<\/span> [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section transparent_background=&#8221;off&#8221; allow_player_pause=&#8221;off&#8221; inner_shadow=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;off&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; make_equal=&#8221;off&#8221; use_custom_gutter=&#8221;off&#8221; fullwidth=&#8221;off&#8221; specialty=&#8221;off&#8221; admin_label=&#8221;section&#8221; disabled=&#8221;off&#8221;][et_pb_row make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;off&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; use_custom_gutter=&#8221;off&#8221; gutter_width=&#8221;3&#8243; padding_mobile=&#8221;off&#8221; allow_player_pause=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221; make_equal=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; parallax_1=&#8221;off&#8221; parallax_method_1=&#8221;on&#8221; parallax_2=&#8221;off&#8221; parallax_method_2=&#8221;on&#8221; parallax_3=&#8221;off&#8221; parallax_method_3=&#8221;on&#8221; parallax_4=&#8221;off&#8221; parallax_method_4=&#8221;on&#8221; admin_label=&#8221;row&#8221; disabled=&#8221;off&#8221;][et_pb_column type=&#8221;4_4&#8243; disabled=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221; column_padding_mobile=&#8221;on&#8221;][et_pb_text background_layout=&#8221;light&#8221; text_orientation=&#8221;left&#8221; admin_label=&#8221;Publications&#8221; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;off&#8221;]<\/p>\n<h1 class=\"western\" lang=\"en-GB\" style=\"text-align: center;\"><span style=\"color: #ba75b0;\">Publications<\/span><\/h1>\n<p>[\/et_pb_text][et_pb_text background_layout=&#8221;light&#8221; text_orientation=&#8221;justified&#8221; admin_label=&#8221;Text&#8221; text_text_color=&#8221;#000000&#8243; use_border_color=&#8221;off&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;off&#8221;]<\/p>\n<p><span style=\"color: #808080;\">2017.&nbsp;<span style=\"font-size: 14px; background-color: #ffffff;\">&ldquo;&#8217;<\/span>The Sap to Flow&#8217;: Nature and the Quest for the Female Self in Margaret Drabble&#8217;s &#8216;The Merry Widow&#8217;<span style=\"font-size: 14px; background-color: #ffffff;\">&rdquo;<\/span>&nbsp;in J. Ros Velasco. New York: Nova Science Publishers, Inc. &nbsp;978-53612-058-5.&nbsp;<\/span><\/p>\n<p><span style=\"color: #808080; font-size: 14px; background-color: #ffffff;\">2014.&ldquo;Modernism, Postmodernism, and the Short Story in English, ed. Jorge Sacido&rdquo;. Miscel&aacute;nea: Revista de Estudios Ingleses y Norteamericanos 50 (2014): 173&ndash;177.<\/span><span style=\"color: #808080;\"><\/span><\/p>\n<p><span style=\"color: #808080;\"> 2014. (with L. Lojo-Rodr&iacute;guez and C. Lara-Rallo). &ldquo;The Short Story and the Verbal-Visual Dialogue&rdquo; in E. &Aacute;lvarez-L&oacute;pez (coord. and ed.), E. M. Dur&aacute;n-Almarza and A. Men&eacute;ndez-Tarrazo, eds., Building International Knowledge. Approaches to English and American Studies in Spain. AEDEAN\/Universidad de Oviedo, 2014, 261&ndash;266.<\/span><\/p>\n<p><span style=\"color: #808080;\"> 2013. (with L. Lojo-Rodr&iacute;guez and J. Sacido-Romero). &ldquo;Parents Then and Now: Infantile and Parental Crises in the Short Fiction of Katherine Mansfield, Helen Simpson and Hanif Kureishi&rdquo; in R. Arias, M. L&oacute;pez-Rodr&iacute;guez, C. P&eacute;rez-Hern&aacute;ndez and A. Moreno-Ortiz, eds., Hopes and Fears. English and American Studies in Spain. AEDEAN\/Universidad de M&aacute;laga, 2013, 304&ndash;307.<\/span><\/p>\n<p><span style=\"color: #808080;\"> 2012. (with L. Lojo-Rodr&iacute;guez and C. Lara-Rallo). &ldquo;Escenarios de la memoria: espacio, recuerdo y pasado traum&aacute;tico&rdquo; in S. Mart&iacute;n-Alegre, M. Moyer, E. Pladevall and S. Tuvau, eds., At a Time of Crisis: English and American Studies in Spain: Works from the 35th AEDEAN Conference. AEDEAN\/Universidad Aut&oacute;noma de Barcelona, 2012, 242&ndash;245.<\/span><\/p>\n<p><span style=\"color: #808080;\"> 2011. (with G. Rodr&iacute;guez-Salas). The Aesthetic Construction of the Female Grotesque in Katherine Mansfield and Virginia Woolf: A Study of the Interplay of Life and Literature. Edwin Mellen Press: Lampeter, Ceredigion, 2011.<\/span><\/p>\n<p><span style=\"color: #808080;\"> 2011. &ldquo;Virginia Woolf&rsquo;s Ethics of the Short Story, by Christine Reynier&rdquo;. Miscel&aacute;nea: Revista de Estudios Ingleses y Norteamericanos 42 (2011): 173&ndash;179.<\/span><\/p>\n<p><span style=\"color: #808080;\"> 2010. (with C. Lara-Rallo and L. Filardo-Lamas). &ldquo;The Shot in the Story: A Roundtable Discussion on Subversion in the Short Story&rdquo; in R. Gal&aacute;n-Moya et al., eds., Proceedings of the 33rd Aedean International Conference. Aedean\/Universidad De C&aacute;diz, 2010.<\/span><\/p>\n<p><span style=\"color: #808080;\"> 2007. &ldquo;The Duplicity of the City in O.Henry: &lsquo;Squaring the Circle&rsquo; and &lsquo;The Defeat of the City&rsquo;&rdquo; in G. S. Castillo, M. R. Cabello et al., eds., The Short Story in English: Crossing Boundaries. Universidad de Alcal&aacute; de Henares, 2007, 32&ndash;42.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dr.\u00a0Isabel Mar\u00eda Andr\u00e9s-Cuevas has focused her research for the last few years on the short story in English by women writers. She is interested in Modernist fiction and, in particular, in the narrative of Virginia Woolf. She has co-authored a monograph on gender and the grotesque in the short fiction by Katherine Mansfield and the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-358","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/womenstales.com\/index.php?rest_route=\/wp\/v2\/pages\/358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/womenstales.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/womenstales.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/womenstales.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/womenstales.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=358"}],"version-history":[{"count":12,"href":"https:\/\/womenstales.com\/index.php?rest_route=\/wp\/v2\/pages\/358\/revisions"}],"predecessor-version":[{"id":562,"href":"https:\/\/womenstales.com\/index.php?rest_route=\/wp\/v2\/pages\/358\/revisions\/562"}],"wp:attachment":[{"href":"https:\/\/womenstales.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}